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A study of the spaces between notes: intervals of time and of sound. In addition to their study and mastery by individuals, these exercises can be studied and performed as canons in two or three parts by like or differing instruments. Available editions include: Horn, Trumpet in B-flat, Trombone, Euphonium, and Tuba. Grade: 4 Learn More

Picturesque settings of The Wabash Cannonball, Sometimes I Feel Like a Motherless Child, and To Study War No More. As recorded by Randall Faust on the compact disk -
Fantasies on American Themes

Grade: 5 Mvt I: Wabash Cannonball Mvt II: Sometimes I Feel Like a Motherless Child Mvt III: To Study War No More

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This wonderful CD features the performance of Thomas and Tricia Jöstlein, horns and Yeon-Kyung Kim, piano and showcases the following pieces (all available in the Faust Music catalog.) Artist Biographies: Click HERE. Program and Performance notes: Click HERE.

Download the entire album or individual tracks at BandCamp  

SINGING SMOOTH MELODIES ON THE HORN!

Sights and Sounds of the Symposium-for Two Horns and Piano-Randall Faust

I. The Bell Tower at Sunrise

II. A Rondo for the Morning Run   

THE SOLO HORNIST Twelve Solos for Horn and Piano-arr. Marvin Howe

• Bach: Bist du bei mir

• Brahms: Sonntag, Op. 47, No. 3  

• Brahms: Sapphische Ode, Op. 94, No. 4

• Brahms: Feldeinsamkeit, Op. 86, No. 2

• Mozart: Dalla Sua Pace from Don Giovanni

• Faure: Pie Jesu from the Requiem

• Schubert: Einsamkeit from Die Winterreise, Op. 89

• Dvorak: Lament, Op 85. No. 6

• Faure: Sicilienne

• Mahler: Die zwei blauen Augen from Lieder eines Fahrenden Gesellen

• Saint-Saens: The Tourney of King John  

• Vivaldi: Qui Sedes Ad Dexteram Patres from Gloria 

Romanza for Horn and Piano-Randall Faust

Epitaph for Ellen Campbell for Horn and Piano-Randall Faust

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Sights and Sounds of the Symposium was composed for Robert Palmer and Vanessa Montelongo on the occasion of the 52nd International Horn Symposium. The first movement, The Bell Tower at Sunrise, is an ever-developing set of variations over an ever-developing repeated thematic motive. A Rondo for the Morning Run, the second movement, is based on the Rondo from the Quartet for Four Horns by Randall Faust and uses the pitch pattern: sol-do-re-sol.

Grade 4-6

Recorded by Thomas and Tricia Jöstlein, horns and Yeon-Kynug Kim, piano on the CD: SINGING SMOOTH MELODIES ON THE HORN

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This Horn Call for Two Alphornists has been composed for two dear friends from St. Louis, Missouri, Thomas und Tricia Jöstlein, for a performance at the Missouri Botanical Gardens in St. Louis. The work is conceived as one to be performed (ideally) in such a spacious venue on Alphorns. Throughout this work the two Hornists call back and forth with imitative and contrapuntal motives. So, an antiphonal staging of the work is encouraged - with as much space between the Hornists as is comfortable and practical. Learn More